Britannica will help them with research and publishing tools and by allowing them to easily use text and non-text material from Encyclopaedia Britannica in their work. We will publish the final products on our site for the benefit of all readers, with all due attribution and credit to the people who created them. The authors will have the option of collaborating with others on their work, but each author will retainIs this Britannica "getting" the commercial potential of Web 2.0, and like Google and YouTube planning to profit from it, or is it more?
control of his or her own work.
You can preview the new site, which is still in beta testing, at http://www.britannica.com/bps/home. A portion of the people who visit Britannica Online today are being routed to this site and are using it now; soon it will replace our current site at www.britannica.com entirely, and the new features we have described above will be introduced in the weeks and months ahead.I can't wait to see how this attempt to marry the best of the new with the best of the old works out, in the years and decades, rather than weeks and months ahead! One thing is for sure, at last the "old" is gone, buried and dead... I still wonder what the new will look like, and wonder at what it has already given us.
We believe that to provide lively and intelligent coverage of complex subjects requires experts and knowledgeable editors who can make astute judgments that cut through the on a topic.This reads to me dangerously like the tyranny of "experts" that every successful totalitarian regime in the 20th century ensured.Give me the "cacophony of competing and often
Labels: digital, internet, open.access.scholarship, scholarship, web2.0
Labels: biblical.studies, biblical.studies.online, bibliography, digital
Labels: audio, bible, digital, internet
This collection of sources supplements a bibliography published by Baker under the auspices of the Institute for Biblical Research: D. Brent Sandy and Daniel M. O’Hare, Prophecy and Apocalyptic: An Annotated Bibliography (Grand Rapids: Baker Academic, 2007).
In the process of compiling sources, hundreds were entered into our data base (many of which were annotated), but in the end they could not be included in the final selection for the printed edition of the bibliography. Hence, those sources are here made available.
One advantage of thisWhich is not so great... because what it means is that I can easily search the supplementary material, but the material in the print book must be inconveniently searched by hand. In other words the bibliography would have been better published online or at least electronically in the first place! BUT some criterion other than the advantage to the user caused it to be published in print, and now in order that the print book may sell the online more convenient and usable version cannot contain the full dataset.
digital version of the bibliography is that you may search for specific
words pertinent to your research.
Labels: digital, internet, open.access.scholarship, open.biblical.studies
print journalism is going through a wrenching transformation, and its future is in doubt. Over the past two decades, newspaper readership in the United States has plummeted. After peaking in 1984, at 63 million copies, the daily circulation of American papers fell steadily at a rate of about 1 percent a year until 2004 when it hit 55 million. Since then, the pace of the decline has accelerated. Circulation fell by more than 2 percent in 2005 and by about 3 percent in 2006.A print newspaper is a "bundle" of services but:
When a newspaper moves online, the bundle falls apart. Readers don’t flip through a mix of stories, advertisements, and other bits of content. They go directly to a particular story that interests them, often ignoring everything else.This, it is sometimes argued, is promoting an "unbundling" of traditional newspaper services, with some becoming free on the Internet, and other more specialised services being paid for, yet users do not want to pay online, and:
few newspapers, other than specialized ones like the Wall Street Journal, are able to charge anything for their content online, the success of a story as a product is judged by the advertising revenues it generates. Advertisers no longer have to pay to appear in a bundle.Neither the first article, nor Clay Shirky's followup, which argues that What Newspapers and Journalism Need Now: Experimentation, Not Nostalgia, really offers a clear prediction of the future of investigative journalism, though Clay seems to see blogging filling this role [?] ;).
If you take as a given that academic publishing must change to meet the new realities of the Internet economy (i do), which parts will become essentially free goods, and which parts will continue to require a high level of professional competence. Even more importantly, assuming some of these services can’t be easily replaced, what are the new economic models that will provide the required compensation for them?My answers really haven't changed much over recent years. I still see the "content" of tertiary education (textbooks and lectures typically in the current system) becoming free, or at least dirt cheap. See "Gatekeepers, Open Courseware and the future of the University". That others have joined MIT since 2004 just reinforces this view. Nichthus will ask: How will such content be financed? Basically I suspect long term through either advertising or cheap prices and high volume (a sort of iTunes University ;-)
Labels: digital, education, internet
AKMA has a post noticing Radiohead’s new album, In Rainbows and its business model, for forty pounds sterling you can get a package with EVERYTHING: But if all you want is the music, of the basic album, why download it and pay whatever you think is right. That's right, you fix the price.…the new album, in
rainbows, on CD and on 2 x 12 inch heavyweight vinyl records.
A second, enhanced CD contains more new songs, along with digital photographs
and artwork.
The discbox also includes artwork and lyric booklets.
All are encased in a hardback book and slipcase.
Amy Phillips on Pitchfork wrote:Radiohead is trusting its fans to do the right thing, or something approximating the right thing.And I tend to think they will.File under "needless to say:" It's very hard to imagine an actual big-deal record label attempting anything like this.
AKMA expressed similar sentiments more verbosely but decorously:Haha, the entire record industry is so fucked!
I am convinced they are right... But how do people (say biblical scholars) who do not get paid mega-bucks for personal appearances and the like pay for the other people's work needed for a successful publication. Our own work is either a hobby or we are paid for it as part of our job, but whatever format we choose except the casual blog, we need proofreaders, designers, film editors etc... to help make the "product"... how do we pay them?You prosper in the digital environment by giving away what the internet
makes easy and by charging for what the internet doesn’t
facilitate (personal appearances, physical artifacts like packaging,
clothing, books, and so on). It’s that simple, but some
people and some corporate entities want to force the internet to
conform to the properties and characteristics of a pre-digital
environment. In the long run, they’ll be as successful as the
dinosaurs who commanded mammals to respond the the ice age by voluntary
mass extinction.
Labels: digital, media, open.biblical.studies
This freedom of information must terrify the Junta! Chris added a fascinating comment by Soe Myint of Mizzima News saying:...he fully expected the authorities to turn of net access in an effort to clamp down on communications. But even this may not completely silence the steady flow of information out of the country.
Citizen Journalists in Burma have demonstrated that the exclusion of professional reporters no longer cuts of the flow of news, (though it does guarantee that much of it is produced by people unsympathetic to the administration.)
In a similar vein, a student in the prophets class talking about a recent project on culturally approved slavery in Ghana (he prepared the project for our Integrative Seminar on Slavery Today) went on to describe how he was exploring setting up a partnership with a local congregation in Ghana, like the one his church has with a church in the USA. Such intercontinental partnerships were much more costly and inconvenient two decades ago. Maybe it is time more congregations started to realise that "It's a small world after all!"
Text criticism is not everyone's cup of tea (odd expression! but one I grew up with...) indeed, the discussions that get specialists in the field excited often leave others yawning. And yet, it is vital to any and all biblical interpretation. A bit like a visit to the dentist, no fun (sometimes far from it) but important and not to be avoided!According to James Sanders in his review of BHQ 18, a review more rambling, believe it or not, than this one, “Another highly commendable trait of BHQ is that of presenting the text honoring the te’amim or masoretic accent marks.”Will hold my interest, even when the topic is text criticism!Would that this were true. [9]
Upon completion, BHQ is slated to be issued as a single volume containing text, masorah, and apparatus. An accompanying volume is expected to contain the other components of the fascicles that are now coming out: an introduction to each textual unit, notes on the masorah parva, notes on the masorah magna, notes on the critical apparatus, and an index of cited works.Oh, goody! A three volume Bible to carry into class... Not only this, but John also points out the need for "Updateability" (in a section of that title). Any reference work of this sort needs to be updateable, information available changes... So, you ask - well I do even if you didn't! - is this magnificent opus being produced and disseminated electronically, thus allowing me to subscribe to the latest edition. Well, no. We scholars produce "books", so we'll be stuck with the out of date, three volume (how practical!) but beautifully bound codex edition. Or, after a decent delay, in case the electronic edition diminishes sales of the (horrendously expensive to produce) print edition, we can buy at an inflated price (though happily now a little lower than the
That may not be realistic. Text, masorah, and apparatus of the two BHQ fascicles published so far exceed by 20 and 60 per cent in cumulative girth their equivalents in BHS. A single-volume edition is still imaginable, but will be bulky. Based on the fascicles published to date, it seems likely that the commentary to the single volume edition will require three volumes, not one.
Labels: bible, digital, text criticism
It was nearly midnight deep inside Venus de Milo, a dark and sweaty Boston dance emporium. The Shamen, a British musical duo augmented by an assortment of digital gewgaws, was unleashing a storm of high-energy technopop that was cyberpunk through and through. "We can see tomorrow in each other's eyes," they sang at one point as the bouncing crowd raised its collective fist, presumably in the direction of cyberspace.Meanwhile back on planet Carey... it's the start of the year, and students are facing the challenging world of networked electronic communication. Some arrive already literate, but others - mainly the over-forties - are illiterate by 21st century standards. Like 19th century factory workers or farmers who could not read or write a letter, they have difficulty reading and writing online. "Discussion forums" are frightening, online multi-choice tests terrify... today they are illiterate, even if their spelling and punctuation are hugely better than that of their, usually younger, literate peers.
...
A handful of computer jockeys have spawned a style and an attitude. It's no coincidence that Mondo 2000, a glossy quarterly magazine that trumpets the pop version of cyberpunk, likes to talk about "surfin' the new edge." Way cool.
And consider: Cyberpunk is only a corner of a much broader cyberculture- at-large, which includes an online worldwide population of middle-aged couch potatoes, wheezy academics, corporate pooh-bahs, govermnet drones, and on and one. "In the future it will be everywhere, but it won't be called cyberculture," says Stranger, a 17-year-old Miami high school senior who, like most hackers, prefers his computer handle to his real name. "It will just be called culture. A few years ago, people used to talk about 'the emerging TV cuture.' We no longer talk about a 'TV culture' today. It's a given. Somdeay soon, no one will talk about 'emerging cyberculture.' Because it will be a given, too."
Labels: culture, digital, literacy, network
